A gallery of finished costumes.

Focusing on the grittier themes of Emily Bronte's classic novel, my adaptation is set in the Great Plains of the American Midwest, where nature rules tyrannically. 

A re-imagining of the West's most ancient text through a medievalist aesthetic. Exploring our relationship to collective memory and escapism. 

Site-Specific project centred around Edinburgh's historic gothic graveyards, exploring the history, connotations, and evocative power of these spaces. 

Recontextualising the Reformation play by Thomas Otway into the years that led to the Italian Independence:  finding themes of political turmoil, shifting identity, conspiracy, and morality.

Re-designing the characters from Venice Preserv'd and placing them in the 1930s, working with a restricted colour palette - emphasis on carrying character analysis across context.

Designing for the musical, exploring the parallels between Drag and Costume as art forms and expressive mediums, including elements of Australian nature as textile inpiration.

Interpretation of Moliere's typical archetypal characters as aligning with Commedia Dell'Arte charcters, finding parallels in structure and function between the two.

Collection of timed free-hand drawings and paintings made with a variety of mediums, referencing live models nude or costumed.